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Elyse Tonna (b. 1990) is a curator, creative director, architect, mentor and researcher who has garnered various experiences in small-to-large-scale projects with diverse collaborators. She is currently the co-creative director and curator of the Gabriel Caruana Foundation and a collaborating curator with Unfinished Art Space. With over a decade of dedicated work in the cultural and creative sectors in Malta and beyond, her portfolio encompasses collaborations with various institutions and organisations such as Arts Council Malta, Goethe-Institut Brüssel, Heritage Malta, Valletta Cultural Agency, Spazju Kreattiv, the Malta Society of Arts, Valletta Contemporary and others. Tonna will be co-curating Matthew Attard’s work alongside Sara Dolfi Agostini for the Malta Pavilion at the 60th edition of the Venice Biennale in 2024.
Mahalla Festival 2020
To cope with the COVID-19 pandemic the Mahalla Festival 2020 took place as a remote festival to overcome self-isolation, demobilization and paralysis.
The Mahalla Festival 2020 was implementing remote tools to keep intercultural communication and creative expression alive even in times of physical distance and to help to cope not only with the pandemic but also to create new forms of interactive communication and understanding between different communities in the world.
The Wandering Tower is the title of a surrealist short story by Sergej Prokofiev from the times of vivid migration movements on the edge of the world wars.
The Festival was quoting the title as a metaphorical frame for Mahalla 2020/2021. The tower of Babel is connected as a motive to the search for the origin of language and the access to the divine.
Murmuration refers to the phenomenon that results when hundreds, sometimes thousands, of birds fly in swooping, intricately coordinated patterns through the sky.
Murmuration looks also back on the migration movements of the 20th century in the interplay of international relations.
The title, Palimpsest, originally denotes a piece of writing material on which the original writing has been erased to make room for later writing.
However, traces of the overwritten texts remain.
This paleographic phenomenon will inspire the artists of the Mahalla Festival 2022. They will be concerned with the use of resources in a
comprehensive way: in terms of ecological, economic, political, social and communal memory culture.
The Palimpsest Festival is supported by
The Murmuration Festival is supported by
The Wandering Tower Festival was supported by